What I have always liked about my job is this ability to create and materialize new universes. I usually prefer digital tools when I work, I am open to any kind of collaboration to image and adapt stories, whether to give life to an original scenario, or add new things to an existing license. I allways use digital, of course.

As a Concept Artist, I have always had the habit to follow an artistic direction during my missions, as well as respecting and adapting to a graphic charter. Moreover, I have allways respected these obligations during my various collaborations, such as when I worked on the costume of Marie-José Pérec during the show Mask Singer, as well as for the creation of a new event stand at Disneyland Paris.
I possess a significant listening ability, I have always managed to adapt to the customer’s requirements and ideas, all while adding a personal graphic signature. I allways respect the imposed deadlines.

Graduate from Campus Pivaut after five years of study, I had the opportunity during this course to spend my final year in Montreal, Quebec, and the opportunity to work with companies such as Normal Studio, Cirque du Soleil, or Ubisoft. It was during this training that I was able to discover a preference for digital than traditional tools. I also had the opportunity to follow a 2D animation training at Gobelins School, having also allowed me to discover the pleasure of setting my creativity in motion. Having a very solid foundation in 2D and 3D, I mainly specialized in these software.

- Photoshop.
- Illustrator.
- TV Paint.
- ZBrush.